Kon was a truly brilliant director, who was able to create a film that was both disturbing and wondrous at the same time. His original works, from Millennium Actress, to Tokyo Godfathers were all true labors of love, and had a warmth to them. It was as if the worlds in the films took on lives of their own, and leapt from the screen in a true spectacle. To hear that his final film would finally be finished leaves me conflicted.
Unfortunately, the cynic in me is a bit concerned. I remember something like this happening a few years ago, when a similarly esteemed director passed away, and his final vision was completed by another director. Those who haven’t guessed by now, should clue in at the title, A.I. Artificial Intelligence. A.I. was a film that was originally started by Full Metal Jacket and Clockwork Orange mastermind Stanley Kubrick, though it was finished by Stephen Spielberg. While the film was received fairly well by critics, it was railed on heavily by the audience at large. Many called it a disappointment, and a “terrible end” to the esteemed filmmaker’s career. Spielberg in particular was singled out for the film’s lighter tone and more fantastic “feel good” sequences that are a stark contrast to the cold, hard sci-fi feel of the rest of the film. Spielberg continues to claim that he was not responsible for the sequences, though few seem to believe it.
Cynicism aside, I’ll personally be looking forward to this final hurrah for a master director. Satoshi Kon was one of my favorite filmmakers in life, and still holds my highest esteem in death. And, to see his final tale come to life will be something that I will eagerly await. I just hope that the many fans out there will be able to look past the minor things, and at least see the film as a fitting tribute to a master, and the greatest honor a director can bestow upon their peer.