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Production I.G. and Netflix Producing 4K HDR Anime


Earlier today, Netflix announced tha they are working with studio Production I.G. on an experimental project. The two outfits will collaborate to produce the world’s first-ever hand-drawn anime with 4K HDR quality. The title is currently slated to hit Netflix as an original title this fall.

Teru Saitou will direct the project at Production I.G., with Netflix creative technology engineer Haruka Miyagawa working in a supervisory role.

Several visuals for the work were revealed, which you can check out below.

 Netflix Production IG 4K Teaser Visual

 Netflix Production IG 4K Teaser Visual

Teru Saitou commented on the news, stating that, “the challenges of this project arose through a desire to open up new avenues of expression […] Though we constantly seek opportunities to produce more beautiful videos, as expressive individuals, there are hurdles like equipment, and 4K and HDR are undeveloped fields within the industry. I want to continue to make these efforts without delay, as we continue our search for high-quality imagery.”

AV Watch notes that Ultraman and Knights of the Zodiac will also be produced in 4K HDR.

In January 2018, Netflix announced that they will join forces with Bones and Production I.G. Through the agreement, Netflix will co-produce anime content from the studios, which they will distribute via their digital platform in 190 countries. According to the report, Netflix aims to bolster its animation lineup with “high-quality animated works from Japan.” The alliance is describing the deal as a “win-win-win” for all parties involved, including creators and anime production as a whole, along with Netflix, Production I.G., and Bones.

Source: AV Watch (Thanks to MJ Warren for the tip!)

About the author

Samantha Ferreira

Samantha Ferreira is Anime Herald’s founder and editor-in-chief. A Rhode Island native, Samantha has been an anime fan since 1992, and an active member of the anime press since 2002, when she began working as a reviewer for Anime Dream. She launched Anime Herald in 2010, and continues to oversee its operations to this day. Outside of journalism, Samantha actively studies the history of the North American anime fandom and industry, with a particular focus on the 2000s anime boom and bust. She’s a huge fan of all things Sakura Wars, and maintains series fansite Combat Revue Review when she has free time available. When not in the Anime Herald Discord, Samantha can typically be found on Bluesky.

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