News Reporting

Tezuka Productions, Success Corporation, iQIYI To Collaborate on Chinese Animated Features


Cerberus

Two giants in the world of Japanese culture are joining forces with a Chinese streaming giant.

On Friday, Chinese streaming site iQIYI announced that they are working with Japanese animation studio Tezuka Productions and game developer Success. The three companies will work together to produce a pair of Chinese animated productions.

Specifically, Success and Tezuka Productions will produce on animated adaptations of a pair of Chinese works:

  • Voice of Fox (comic book)
  • The Demonic King Chases His Wife (web novel)

The two works are part of a larger initiative within iQIYI. The streaming company aims to become the production base for China’s animation industry, and seeks to release seven animated titles in the near future. The company will produce an animated adaptation of Ma Boyong’s Whales of Four Seas, which is due in 2018.

iQIYI is no stranger to the world of Japanese co-productions. In 2016, the publisher co-produced an adaptation of GREE’s Seisen Cerberus game.

The title, which was released outside of Asia as Cerberus, was helmed by Nobuhiro Kondo (Nobunagun, Sgt. Frog) at studio Bridge, with Mana Uchiyama serving as assistant director. Gō Tōgetsu was in charge of character designs on the project, while Hiroshi Oonogi (Fullmetal Alchemist: Brotherhood, Kekkaishi) took charge of series composition.

iQIYI streamed the title under the name War of Dragon Heart. Crunchyroll streamed the series in North America, and describe it as:

Sword and magic rule in the continent of Kuna’ahn. In this continent are three powerful nations: the Holy Kingdom of Amoria, the Kingdom of Ishilfen, and the Kingdom of Vanrodis, which share a delicate balance of power. Should disaster befall any one of the three nations, war would spread throughout the continent. Also residing there is the feared “Evil Dragon” Daganzord, an unstoppable force that leaves nothing but scorched land and destruction wherever he goes. Hiiro’s parents, Bairo and Kismitete, joined other sorcerers in a magic ritual ten years ago in an attempt to seal Daganzord, but failed when someone interfered. The ritual would later become known as the “Balbagoa Tragedy.” After being rescued by Giruu, young Hiiro set out to learn swordsmanship so that he could avenge his parents. Now, ten years later, sixteen-year-old Hiiro leaves home on a journey to slay the Evil Dragon, and Giruu feels he has no choice but to accompany him. In the search for the Evil Dragon, Hiiro encounters people of various races who join in his quest to eliminate Daganzord… but will Hiiro really succeed in overcoming the destiny he took upon himself and defeating Daganzord?!

Source: Anime News Network

About the author

Samantha Ferreira

Samantha Ferreira is Anime Herald’s founder and editor-in-chief. A Rhode Island native, Samantha has been an anime fan since 1992, and an active member of the anime press since 2002, when she began working as a reviewer for Anime Dream. She launched Anime Herald in 2010, and continues to oversee its operations to this day. Outside of journalism, Samantha actively studies the history of the North American anime fandom and industry, with a particular focus on the 2000s anime boom and bust. She’s a huge fan of all things Sakura Wars, and maintains series fansite Combat Revue Review when she has free time available. When not in the Anime Herald Discord, Samantha can typically be found on Bluesky.

Anime Herald

Support Anime Herald

Anime Herald is brought to you through our Patrons and Ko-fi supporters. Consider backing us for as little as $1 a month to help us keep the site ad-free and pay a fair rate to our writers.

Patrons and backers can access several benefits, including Early Article Access, our members-only Discord, and the ability to suggest articles for our team to write on your behalf.



Latest Posts

Interview

Five Points Fest 2024: Henbo Talks With Anime Herald

"Akira was one of my favorite things I ever saw. My friend Mike, he was an illustrator in the same course as me, he introduced me to it. It was mind-blowing. Anything with movement like that, I was like 'This is insane.'"

By Seth Burn